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1. What Auto Tune Should I Get For Apollo Twin 10
2. What Auto Tune Should I Get For Apollo Twin Falls
3. What Auto Tune Should I Get For Apollo Twin Peaks
4. What Auto Tune Should I Get For Apollo Twin Brother

SCOTTS VALLEY, CA. April 03, 2019 — Now through June 30th, 2019, customers who buy and register any new Apollo Twin MkII, Apollo Twin USB, or Arrow audio interface are eligible to receive free UAD plug-ins from Antares, Manley, and UA as part of the UA Platinum Vocal Promo. The Antares Auto-Tune Realtime Advanced. Feb 13, 2019  Developed by Antares and available exclusively for UAD-2 hardware and Apollo interfaces, the Antares Auto-Tune Realtime Advanced plug-in offers genuine low-latency Auto-Tune effects popularized by the likes of Cher, Daft Punk, and Kanye West, as well as subtle, real-time pitch correction. Free plugins with an Apollo Twin for a limited time. It’s April, so that means it’s time for a new Universal Audio deal and if you do any work with vocals, this one might be for you. From now until the end of June, when you register your new Apollo Twin, you can claim up to £533 worth of UAD plugins for free. And now Auto-Tune Realtime Advanced is included with any new Apollo Twin X Quad or Apollo X4 purchased between. And of course Auto-Tune Realtime Advanced is compatible with Auto-Key (sold separately) so you never have to worry about finding the key of your music before tuning. Oct 03, 2017  Hey guys, im planning to get one of the Apollo gears, its my first time i cant decide what i want. Right now i have a Focusrite Saffire pro 40 for pre. But i really want to use the UAD plugins. On their website they say they got 90+ plugins including Auto Tune Real Time do I get them all for free if I get any of their products? Like instead getting the whole Apollo 8p could i just get the.

This is a free promotional plug-in included with select UA Audio Interfaces.To learn about the full version of the plug-in, Antares Auto-Tune Realtime Advanced,click here.

Overall Rating

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T. Zicari

it should be free for every one

Comme on, we can't even purchase it

M. Boggan

Will not display inside of the console. No support online given. Feeling defeated.

I have the correct updated software. I have recently purchased AT access in hopes of using the real time settings inside of my UA console as promised. Only to be proven wrong. Inside of Antares Central, I have access to the plugin and inside of my DAW (Pro Tools). Inside the console, I can only access the demo versions of the plugin instead of the version that I paid for. If someone could resolve this issue I would appreciate it, otherwise I would advise users to stay away from this and put your hard earned money into something that would be of use to you.

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N. Gonzalez Cabrera

This Has to be free for al apollo twin usars too

This version Has to be free for all apollo twin old users too, that's why others companies are winning, 300 for a half of the version no way

R. Ryda

Can not get this version??

Neglecting the fact I own all of the previous versions of AT and have payed for both f them, this plugin is unavailable to me

5 Item(s)

Mix engineers today are asked to do far more than simply mix the song. In fact, it’s now expected that they clean the tracks, eliminate pops and clicks, adjust the track timing, and replace or augment some of the sounds as well. Another job that falls to many mix engineers today is correcting the pitch of any track that needs it. This process is faster and easier than ever, but like anything else, you still need good fundamental technique to seamlessly pull it off.

Some History

Though widely popularized beginning in 1997, the process of pitch correction has been around since the 1970’s, starting with the Eventide H910 Harmonizer. Primitive as it was, the H910 did allow for slight pitch corrections, although the digital artifacts that it imposed on the sound were quite substantial the farther you strayed from the original pitch. As newer versions of the Harmonizer (and later the French Publison Infernal Machine) were released, engineers could get a wider range of correction before the digital artifacts became noticeable, but the bulk of the work was still done manually.

To give you an idea of what “manually” actually meant, the engineer would locate the point in the track that needed correction, set the Harmonizer to the correct pitch, rewind the tape, play it through the Harmonizer, then either record it on to another track or a different tape machine, which then had to be recorded back onto the master in sync. Needless to say, it was a tedious process to correct even a single note. Of course, studio owners back then loved to hear that a project decided to tune vocals since the bill for studio time would expand substantially.

Getting Started With Pitch Correction Plug-Ins

The most popular track-tuning plug-ins in use today are Antares Auto-Tune and Celemony Melodyne, but there are many others to choose from as well. Be aware that all tuning plug-ins impart their own sound, and it might not always be pleasing. Engineers typically own several different ones so they have options for various tuning situations.
Unless you are going for the obvious vocal tune effect, ala Cher or T-Pain, consider these tips for more discreet pitch management:

• Use the performance itself first. Before you apply pitch correction, try to find other parts to use in the performance to keep any correction as natural-sounding as possible. Consider vocal comping, or simply copy and paste phrases, words, or syllables from other parts of the song.
• A little goes a long way. The fewer notes you correct, the more natural your performance will sound. You’re much better off just correcting a few notes than attempting to correct a large portion of the entire performance. If it’s that far off, you should simply record that part again.
• Use the most precise mode. Auto-correct modes may be designed to make things turnkey, but they’re often not precise enough for most applications. As a result you may get audible fluctuations that make the track sound artificial — which is usually not what you’re after. If the plug-in has one, use the graphical mode to achieve the most precise tuning with the least amount of audible artifacts.
• Don’t worry about perfectly tuned vocals. Even the best vocalists are never precisely on pitch — that’s what makes them unique. Getting the pitch within a few cents will sound more like the real thing, since it’s the variations and inaccuracies that make a human voice sound human.
• Print the pitch correction. Instead of leaving the pitch correction patched in as a plug-in, you’re better off printing a corrected pass and using that track instead. This saves precious system resources and also eliminates any problems that might occur if the session is moved to a different DAW.

A Few More Tips

Here are a few tricks often used when correcting the pitch of a mix element. As always, don’t be afraid to experiment, since slight variations might fit better on a particular mix.

• Experiment with harmonic resonance. Sometimes raising the formants (the harmonic resonance) of a voice can make the vocal sound a bit more exciting or breathier. It doesn’t actually change the pitch — just the placement of the voice’s harmonics.
• If the vocal is off enough that the pitch correction sounds robotic, try this trick. Copy the vocal to two additional tracks and spread them left and right. Tune one of the vocals up by 2 to 8 cents; tune the other down by 2 to 8 cents. This will smooth out an out-of-tune vocal and make it sound a lot thicker at the same time.
• Try adding some reverb. Tuned vocals almost always sound better with a least a touch of reverb or delay on them.
• Be gentle with lead vocals. Generally, background vocals can get away with much more pitch correction than lead vocals before any artifacts are heard.

What Auto Tune Should I Get For Apollo Twin 10

Depending on how much of a purist you are, pitch correction is either the worst thing to happen to modern music or a godsend. Regardless of where you stand on the issue, Auto-Tune is a necessary and powerful tool in modern music production — use it wisely.

— Bobby Owsinski

• Antares Auto-Tune Realtime Advanced

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