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I posted a gigantic list of free VST plugins two weeks ago, the post was awesome, and I am glad you guys loved it.

On this page, you will find a list of ten best free and paid autotune VST plugins you can download and use for free in your various Daw Software.

Free auto tune live download. Multimedia tools downloads - Antares Auto-Tune Live VST by Antares Audio Technologies and many more programs are available for instant and free download. Here is the list of best free Auto Tune software for Windows.These Auto Tune software are basically VST Plugins for famous open source audio editors.These VST plugins are used to enhance vocal by adding various effects. Free basic auto tune plugin for Mac? Discussion of music production, audio, equipment and any related topics, either with or without Ableton Live 8 posts. Page 1 of 1.

Before you start tweaking the knob on various autotune plugins, I think we should understand the basics of what autotune VSTS does, if you have an idea about that, skip this section, and if you are a newbie just getting into knowing how things work first, then continue reading.

Page Contents

• 10) KeroVee (Free)
• 8) Graillon (Free)
• 7) GSnap (Free)
• 6) VisualVox (Free)
• 5) MAutoPitch (Free)
• 4) Melodyne (Paid)
• 3) ReTune (Paid)
• 2) Waves Tune (Paid)
• 1) Auto-Tune Pro (Paid)

What is an Auto-Tune?

Autotune is an audio processing VST that is used to correct an inaccurate pitch in vocal tracks or perhaps used to modify or alter pitch in performances, music instrument and or vocals.

In a simple term, It is used for automatically tuning an off-key or off-pitch sequence, allowing vocal tracks to be perfectly tuned.

When You Should use Auto-Tune

As a singer, you would notice that when you try to sing outside of your comfortable range (range of notes you are physically capable of producing), you sing out of tune.

In this case, you might want to use an autotune plugin to fix that, if necessary. Also, you might use the tool, if you struggle to record multiple takes.

Note: Do not use an autotune plugin on too plenty of pitchy vocals; The best thing to do in this scenario is to take a lesson and practice to sing better.

In my opinion, you do not necessarily have to use an auto-tune plugin on vocal if it sounds great and less pitchy, this is just a preference!

Auto-tune can also be used on a wide load of sounds from an instrument, to getting a type of effect (T-pain effect), enhancing vocal expressiveness and so on.

Let’s count down from the good to the best!

10) KeroVee (Free)

This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.

This tool is handy and can perform different and various types of voice effect, for example, a conversion of the male voice to a female voice and vice versa.

KeroVee comes bundle with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:

• Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one
• TuneSpeed: This will allow you to set the speed of correcting the pitch.
• Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sort of weird effects.
• Amount: Set to zero (0) if you want no correction, setting to 100 will result in a full correction of the pitch
• and many more parameters like Transpose option, master volume, etc.

System Requirements

• A compatible host program that supports the VST formats

Download

Download KeroVee Auto-Tune Plugin

9) X42-Auto-Tune (Free)

This is an auto-tune plugin that is developed to correct the pitch of a voice when going out of tue.

Its main function is for the correction of tune in vocal range, although it can and may be used on some instruments.

It as a pretty cool and friendly GUI, parameters included are Tuning, Bias, Filter, Correction, offset and pitch error meter.

Download

Download X42 Auto-Tune Plugin

8) Graillon (Free)

This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.

It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching and enhancing vocal expressiveness.

Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.

System Requirements

• Available as VST, VST2, AAX and Audio Unit plugin for MacOS and Windows platform.

Download

Download Graillion Auto-Tune Plugin

7) GSnap (Free)

This is an autotune plugin developed by Graham Yeadon of Gvst, Gsnap is one of my favourite autotune plugin, and I use it to create a specific type of effects.

GSnap was designed to automatically detects when a voice is pitchy, that is, when a note is off-key, it would indicate red, and when in tune, it would indicate green, interesting!

However, if you want to achieve a not to perfectly tuned voice, I would suggest you use with subtle settings.

Extreme settings can create sounds like famous Daft-Punk, T-pain, or Char effects, if this is what you are looking for, go with this setting.

System Requirements

• Available as VST format (32/64bit) for windows only

Download

Download Gsnap Auto-Tune Plugin

6) VisualVox (Free)

A lightweight intonation correction VST plugin, that comes bundled with pretty cool features like:

• Producing a perfect vibrato effect
• Know when your voice is pitchy and when you are in tune
• Ability to fit a voice into a rhythm by stretching, cutting and also a cut and paste option alongside
• Ability to create an artificial polyphony from a single voice, e.g. multiple voices,
• and many more features.

Why do we need an autotune plugin? To automatically correct off-key vocals back in-line, count on Visualvox.

System Requirement

• Compatible with a VST host system

Download

Download VisualVox Auto-Tune VST plugin

5) MAutoPitch (Free)

With over 50,000 downloads every month, we should crown MAutoPitch the best free autotune VST Plugin.

This free pitch-correction tool is one of the most downloaded, and it is designed for vocals, and other monophonic instruments. It features a scalable and resizable GUI and also lets user chooses between knobs, sliders, and buttons.

The primary goal of a good VST plugin or tool, in general, is to deliver outstanding results in performance and also capable of handling larger processes, MAutoPitch isn’t far from that.

With the ability to handle not only mono and stereo signals but also mid/side encoding for stereo field processing.

Also, it provides a high audio quality performance, and uses 64bit audio processing to handle any sample rate (e.g. 192Khz), it is not advisable to go above that, these are just tip of the iceberg of what MAutoPitch can do, it is robust and a great free autotune VST plugin you should lay your hand own.

System Requirements

Windows

• Windows Vista / 7 / 8 / 10 (32-bit or 64-bit)
• VST / VST3 / AAX compatible host (32-bit or 64-bit)
• Intel/AMD processor with SSE2 support
• Always use 32-bit plugins in 32-bit hosts or 64-bit plugins in 64-bit hosts!

Mac Os X

• Mac OS X (10.7 and newer, 32-bit or 64-bit)
• VST / VST3 / AU / AAX compatible host (32-bit or 64-bit)
• Intel/AMD processor with SSE2 support

Download

Download MAutopitch VST plugin

4) Melodyne (Paid)

I said this earlier, using pitch correction on a bad vocal track would give an undesirable result, great singers make mistakes and this is where the tool comes in handy if and only if needed.

Melodyne is one of the best paid autotune plugin out there. It is designed to work with vocal tracks, percussion, sound effects, and different kinds of sounds you might think of.

It features:

• Manipulation of notes, harmonies, melodies, grooves, rhythm, editing intonation and even with polyphonic instruments (e.g. piano or guitar: each note) Crazy right!
• Automatically detect the tempo, scale and tunning of a sound
• Beautiful GUI design, and also user friendliness,
• and much more features you should check out.

Price

Melodyne comes with a hefty price tag of €699 for the complete Melodyne bundle, Melodyne editor €399, Melodyne assistant €249 and Melodyne essential €99.

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System Requirement

MacOS

• Intel Dual Core processor (Quad Core or better recommended), macOS 10.6.8 and 10.11.x to 10.14
• 4 GB RAM (8 GB or more recommended)

Windows

• Intel or AMD Dual Core processor (Quad Core or better recommended), Windows 7, 8.1 or 10 (64-bit recommended), ASIO-compatible audio hardware
• 4 GB RAM (8 GB or more recommended)

Activation

• Activation Computer-based or iLok USB dongle (2nd or 3rd generation), Melodyne 4 essential only computer-based. Internet access is required for activation.

Learn more and buy Melodyne

3) ReTune (Paid)

To be honest, auto-tune is mostly used for correcting pitches, some users do not even know pitch correction is a single feature in auto-tune plugins.

It can be used to create broad sort of effects on vocals and instruments or sound effects.

ReTune is an autotune plugin developed by zplane, and it can be used to nudge off-key notes to the nearest semitone, and also supports controls such as sensitivity of the pitch corrections, smoothing of pitch and more useful features such as:

• Real-Time Processing: It can be used during live performances on stage and in the studio.
• Automatically detect input key using zplane’s TONART V2
• Presets for major/minor scales, chromatic scale, church modes and gypsy
• Allows the use of controls for pitch detection sensitivity, transient levels and pitch contour smoothing,
• and many more features.

System Requirements

• Compatible with AAX, AU and VST host system
• A minimum of 2Ghz and 4gb ram minimum.

Learn more and buy ReTune

2) Waves Tune (Paid)

Waves Audio Ltd is one of the biggest, trusted and leading company in audio-related software. Let’s take a brief description of the types of wave auto-tune VST plug-ins.

Waves Tune is an auto-tuning plugin developed and designed for pitch correction, and for correctly tuning to a natural taste for creative effects.
There are three types of the Waves Tune:

1) Waves Tune Real-Time,

2) Waves Tune and

3) Waves Tune LT.

Waves Tune Real-Time – It can be used during a live performance on stage or performance in the studio, or perhaps for pitch-correcting pre-recorded tracks. Hence, it works in Real-time mode.

Waves Tune – It can be used for pitch-correcting pre-recorded tracks at a greater level of detail, also has a more robust tool for editing pre-recorded track, while Waves Tine Real-Time doesn’t have that.

Waves Tune LT – This is a lighter version of the Waves Tune with basic editing tools for a starter.

Prices

Waves Tune comes with a price tag of $ 119, Waves Tune Real-Time is tag $49, and Waves Tune LT is tag $29, learn more and buy here:

System Requirements:

Mac

• Intel Core i5 / i7 / Xeon
• 8 GB RAM
• 8 GB free disk space on the system drive
• Operating System – 10.11.6 – 10.14

Screen Resolution

• Minimum: 1024×768
• Recommended: 1280×1024 / 1600×1024
• USB displays are not supported as the primary display.

Windows

• Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core
• 8 GB RAM
• 8 GB free disk space on the system drive

Operating System

• Windows 7 with SP1 64 bit
• Windows 8.1 64 bit
• Windows 10 64 bit

Screen Resolution

• Minimum: 1024×768
• Recommended: 1280×1024 / 1600×1024

Learn more and buy here: Waves Tune

1) Auto-Tune Pro (Paid)

Auto-Tune pro is a plug-in developed by antarestech, and it has been undergoing a lot of changes for the past 20 years.

It includes auto-mode and graph mode, auto-mode is for real-time intonation correction, while graph mode is for detailed and time editing.

This program has been used by the most iconic and popular music producers – T-pain, Cher, Daft-punk, to mention few.

Auto-Tune has been more powerful with the invention of Auto-Tune Pro, more comfortable to use than ever before.

Antares added an automatic key detection with the new Auto-Key plug-in, now better and easier to use.

Also, it is designed in such a way that allows a user to naturally correct pitches, humanise for more transparent and low Latency mode so a user can perform in real-time without distracting delay.

Price: $399

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System Requirements

• Requires iLok Version 2 or Version 3. not compatible with iLok Version 1
• Mac- Supports AAX Native (64-bit only), VST3 (64 and 32-bit), and Audio Units (64 and 32-bit)
• Windows – Supports AAX Native (64-bit only), and VST3 (64 and 32-bit)

Learn more and buy here: Antares Autotune

Any suggestion on the Auto-tune plugins listed above? drop your messages below and let’s have discussions on what you think about this list, don’t forget to share this! 🙂

Auto-Tune is one of the most widely used plug-ins in music production. This tutorial shows you the power within this amazing audio processor.

In the 22 years since it’s inception (1997), Auto-Tune has been the industry standard for tuning vocals, and for good reason. From my own personal experience, it’s still my go-to tuning software, as it can keep up with my own workflow, and does exactly what I need it to do. There are many other tuning softwares available, but none have the proven to me better. In the past 20 years, I’ve never had a single negative comment, or even anyone notice that I’ve used a tuning software, which is exactly as it should be. There are many people out there wanting to lay blame on the tools for their work sounding robotic, or unnatural. I may take some heat for saying so, but this doesn’t have to be the case if you learn how to use your tools properly; pay attention to what the settings do. If something doesn’t sound right, keep tweaking until it does. It’s as simple as that. Now I must say though, there is a limit to how much tuning or editing you CAN do to a less than perfect performance. A common saying in the industry comes to mind - “You can’t polish a turd”. I could probably write an entire book on tuning vocals, but the intent here is to give you an inside look at the most commonly used parameters and how to use Auto-Tune in a more effective way….

The Correction Modes In Auto-Tune

There are two correction modes and ways to use Auto-Tune. There’s Auto Mode, also know as “lazy mode”, and Graphical Mode, also known as “Auto-Tune”. Auto Mode basically runs in real-time, and analyzes the audio as it passes through. It then determines what to do to the audio, as it passes through. Adjusting your settings can help it to do a better job of tuning, but nothing replaces your own ears on what needs to be tuned, and what does not. The only time I personally use Auto Mode is when I have several songs that need to be mixed in a very short amount of time, and there simply is not enough time, or budget, to properly tune the tracks. Graphic Mode is a bit more involved, but yields MUCH better results! Graphic Mode basically works like this: You capture (track pitch) the performance once into the plug-in, so it can be analyzed, displayed and edited. (Same for most other professional tuning software) Then, you choose which notes are to be tuned, and how, and which are to be left alone. This is far superior to every single bit of audio being automatically adjusted. By the way, if what you are trying to achieve with Auto-Tune is the T-Pain, or CHER effect, use Auto Mode with a very fast Retune Speed, and you can skip the rest of this article.

Auto Mode

Auto Mode is the default mode when opening Auto-Tune. It is designed to automatically analyze audio as it passes through, and tune up or down to the nearest note everything that passes through. With that being said, there are some very important things to pay attention to, as they will help you get much better results. Paying attention to a few of these settings following, you can minimize Auto-Tune attempting to tune things that should not be, such as vibrato and notes that are intentionally slurred from one note to another.

Input Type: This basic setting help Auto-Tune focus on specific frequency ranges and types based upon the type of content you are trying to tune. Always start here!

• Soprano -For high or female voices
• Alto/Tenor -For normal voices
• Low Male -For Barry White
• Instrument -For violins, violas, and other types of monophonic instruments
• Bass Inst -For lower pitched instruments, and yes, it is quite common to tune a bass guitar.

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Scale: Setting the scale to the actual key of your song will most certainly help minimize errors in automatically tuning. Chromatic is the default scale, and probably most popular, but setting the proper key of your song will narrow down the choices of tuning from eleven notes down to the seven within a given key. For example, you have a song in the key of “C”, which has no sharps or flats. A singer sings a little bit sharp on a trying to sing a “C”. If the note sang is closer to “C#”, Auto-Tune will try to tune the note up to “C#”, resulting in an improperly tuned note. When setting the scale to C Major in this same scenario, the singer would have to sing past “C#” for it to create and error and try to correct to a “D”. This is another great starting point for Auto Mode usage. As you can see from the picture to the right, there are many other scales to choose from, and yes, Auto-Tune is used world wide, and there are many other scales available to those around the world using alternate tuning and scales.

Retune Speed: This is one of the most important settings to pay attention to, as it sets how fast Auto-Tune will tune a note, similar to a glide or fade time from non-tuned to fully tuned processing. Setting a very fast time will remove any variations in pitch, but can yield some very unnatural results. But then again, this is a big part of creating the T-Pain/Cher effect. If this is what you are looking for, absolutely start here with a very fast time!

Humanize: This allows sustained notes to have a slower Retune speed than the shorter duration notes. Typically you would start a setting of 0 while setting the Retune speed, making sure all notes that need tuning are being tuned, then adjusting the Humanize will help with sustained notes from not sounding overly tuned, while still being fast enough to tune shorter duration notes.

Natural Vibrato: This is independent of your pitch settings and is used solely to tame natural vibrato of a performance. Leaving it at it’s default setting of 0, will not affect the original vibrato, but adjusting will minimize the amount of vibrato allowed. Once again, this is independent of pitch controls.

Targeting Ignores Vibrato: Turning this on can help with what Auto tuning tries to tune and what it ignores. If you have a track with a lot of vibrato, try turning this on and see if it helps. This is something that would typically be used with a lead type of vocal, allowing the natural vibrato to be ignored. Backing vocals typically shouldn’t have as much vibrato, therefore, minimizing vibrato is preferred.

Target Notes Via MIDI: This is quite fun to play with, along with fast Retune speeds. When engaging, Auto-Tune does nothing until a MIDI note is present from a keyboard or MIDI track, then it tunes to the MIDI notes present. You can then play in a melody from a MIDI device, and the track will be tuned to what you play.

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Graphic Mode

Graphic Mode is the mode you will use the most often when quality is the primary concern. The advantage: Graphic mode allows you to specify which notes are to be tuned, and which are not, along with independent settings for each note to be tuned, instead of the global settings to be used for every note passing through in Auto Mode. Ready to get started?

Correction Mode to Graph: Pretty self-explanatory, slide or click the correction mode from Auto to Graph.

Options

Click on the options button next to correction mode to get here:

Enter buffer seconds: The default here is 240 seconds, which is 4 minutes at 44.1k or 48k sample rate, based upon your session settings. A minute song would require 300 seconds. There’s no need to set a really high buffer amount, as it uses much more RAM from your system. The max setting of 14400 would yield 4 hours on one track! If any of you actually need that much, I’d like to know what project you are working on.

Default Retune speeds: After learning a bit about retune speed from Auto Mode, you can set the default retune speeds for various tune settings in which I will discuss shortly here, but this is where you set your defaults.

Track Pitch in Autotune

The first thing we need to do is capture, or “Track Pitch”, our audio track into Auto-Tune so that it can analyze it, draw a graphic representation of the audio pitches, and respond appropriately. This allows Auto-Tune the time to not only respond quickly, but also to ramp in tuning before a note needs to be tuned, which is impossible in Auto Mode, as it is only running in real-time. So to get started:

• Click on the “Track Pitch” button: It will turn “Red” when enabled to track pitch.
• Play the track: Play your song from beginning to end, or section by section. As long as all the information that needs to be tuned is tracked in, you can then proceed.
• Turn off the “Track Pitch” button: Self-explanatory, but necessary to start tuning.

Decisions decisions!

You have two options now for tuning. You can draw or auto-create lines/curves or notes. The difference is that notes are typically easier to work with and treat an area of audio as a block, or note, and a line or curve allows you to treat bends in between specific notes with a little more intent.

The Tools

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There are a few tools to start with here and I’ll describe them briefly from left to right.

• The Line Tool is used to draw multi-segment lines on the pitch graph. It is typically used when you want to hold a straight pitch, or bend evenly from one pitch to another.
• The Curve Tool is used when you would like to free-hand draw in pitch correction. I personally find this one quite difficult to use.
• The Note Tool is used to draw notes. These are constrained to specific pitches and cannot vary off of them. I tend to use these more often than the line tool.
• The Arrow Tool is the most commonly used tool, as it is how you select and edit existing lines or notes.
• The Scissors Tool is used to cut existing lines or notes into separate pieces for individual editing. I typically use this when notes or lines have been generated automatically, and need to be separated. We’ll take a look at automatically generating lines or notes shortly.
• The Magnifying Glass is used for zooming. Simply click and drag a box around what you would like to zoom into, and release to zoom.
• The I-Beam Tool is used to select an area of time to be used edit with in, or generate data between. This is also a commonly used tool.
• The Hand Tool is used to move the display. Click and hold on an area of the screen, and then drag the screen to an area you would like to see. I find the scrolling functions on apple mice work quite nicely for this same purpose, so this one doesn’t get used much.

Manual Editing/Drawing of Lines and Notes in Auto-Tune

In this example above, after capturing (Track Pitch) a vocal into Auto-Tune, I selected the Line Tool, and then clicked on “Snap to Note” which forces any segments of a line to snap to a specific note. Upon clicking the last segment, it must be double-clicked to end the line. After drawing this line, it is still selected, and retune speed can be set for this line independently of other lines. If it is not selected for some reason, using the Arrow Tool, click on the line to re-select it, and then you can adjust the retuning speed. The advantage of using the Line tool is that, as shown, the bend from one note to another can be drawn in as well.

In this example to the below, I selected the Note Tool, and then drew in some notes. I’ve found that drawing notes from where they are on key, or crossing through the desired key, on the beginning and end of a note give the best results. The advantage of the working with Notes is that Notes can be moved from one pitch to another much easier than trying to move a line.

Automatically creating Lines and Notes in Auto-Tune

Select an area: Using the I-Beam Tool, select an area that you wish to generate notes or Lines/Curves> Personally, I like to select the duration of the entire song, and then fix the points that are not created to my satisfaction, rather than manually create each event, one by one.

Down at the bottom of the plug-in next to “Track Pitch” are the option for “Make Curve” and “Make Notes”, which are how we can auto-create “Notes” or “Line Curves”.

Make Curve: Clicking the Make Curve button will automatically draw a curved line, matching exactly the pitches captured in from the Track Pitch function earlier. As you can see to the right, there are green lines overlapping the detected pitches, and anchor points on either side of each detected event. These anchor points can be moved independently by clicking on, and dragging each anchor point up or down. This is particularly useful is in key, but starts drifting sharp or flat as a note is being held out. You need to use the Arrow Tool to manipulate these points.

In the example below, an area was first selected using the I-Beam Tool, then using the Arrow Tool, the Curves were moved up together to another pitch, keeping all the bending between notes still intact. If only part of a curve or line is to be moved, the line can be separated into two segments by clicking at the desired split point using the Scissors Tool. Now the segments can be individually manipulated.

Sing Through Auto-tune Live

In the example below, the “Make Notes” button was pressed after selecting the same area as described above. The advantage with working this way is that the only things being tuned, or manipulated are the notes that are being sustained, and the bending in-between notes is left alone. I find it particularly advantageous to modify these notes using the Arrow Tool. What I’ve found to give the best results is to drag the edges of each note to a crossing point, where the original audio is on, or crossing through, the correct pitch. By starting and stopping the tuning process on these points that are already in tune, I’ve found that I have much more transparent tuning, and less “T-Pain” sounding tuning.

Hopefully this is enough to get you started in Auto-Tuning, and has shed some light onto the mysterious world of tuning. Honestly, Auto-Tune has saved so many projects from bankrupting, and allowed thousands of productions to keep amazing performances, that in the past would have been performed over, and over, and over, and over again, until finally in key. Did anyone happen to think about the feeling, or emotion, left in a recording that an artist just finished singing for the 150th time? Yes, it may finally be perfectly in tune, but is the emotion of the singer still representing the initial idea of the song, and convincing all the listeners that this is a happy song. I think Elvis left the building about 145 takes back…. My point is, if a take sounds and feels great, but has a little pitch problems here and there, it’s worth tuning vs. beating the life out of a part until it is performed technically correct.

Until next time, happy tuning!

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